Catalog prototype · Browse freely, then buy in person at the Indiranagar studio
Drop 01Metro Bloom — SS ’26

A small wardrobe
that survives a Bengaluru year.

Eight pieces, five collections, one idea: clothes you can wear through a 34 °C commute and an over-air-conditioned meeting on the same day, made from fibres we can name and seams we can reopen. The material facts sit next to the price, not three clicks away from it.

In the range
8
Collections
5
Sizes per style
XS–2XL
Studio
Indiranagar
Metro Bloom campaign — a woman in a sage organic cotton shirt and wide-leg linen trousers on a Bengaluru street
Editorial conceptMetro Bloom, SS ’26Generated imagery · fictional model
Organic cotton · linen · bamboo viscoseRepair-eligible constructionMeasurements on every product pageCatalog prototype — no online checkout yet

New now

Made to move with you

Every piece below lists its fibre content, weight in GSM and the measurements of the sample garment. If a style needs a specific wash or sheds microfibres, that’s on the page too — it belongs next to the price, not in a footnote.

See the full drop

Shop the mood

Dressed for the day you’re actually having

We build in small collections rather than seasonal floods, so each one answers a specific kind of day — the office that runs cold, the weekend that runs long, the fortnight when it does not stop raining.

All collections
Monsoon Ready

Dressed for the rain,
still dressed for the room.

Bengaluru’s monsoon does not care about your meeting. Our shells use recycled polyester with a PFC-free durable water repellent finish — light enough to fold into a tote, structured enough that you don’t arrive looking like you fought the weather and lost.

The honest trade-off: recycled polyester still sheds microfibres in the wash. We say so on the product page, we recommend a filter bag, and we would rather tell you that than sell you a cleaner story.

Shop Monsoon ReadyHow the fabric works

Campaign image is a generated editorial concept — not product photography

Monsoon Signal campaign — a figure in a teal recycled-polyester rain shell against a wet Bengaluru street

Work / play switch

One outfit, three rooms

The test we apply before a style goes into production: can it go from a desk to a dinner without a change of clothes, and does it still look deliberate after eleven hours? If the answer is no, it does not get made.

Two people in earth-tone Verdant Loom pieces working in a Bengaluru co-working space — editorial concept

“Clothes stop feeling sustainable the moment you stop reaching for them. Wear count is the metric that matters.”

Shop the looks
Editorial concept
Folded organic cotton and linen laid on a studio table with hand-written fibre tags
Editorial concept Generated image. The certification tag and reference number visible in it were invented by the image model and are not a real certificate — see the material notes for what we can and cannot evidence.

Material, not mythology

Fibres we can name,
trade-offs we’ll admit

A natural fibre is not automatically low impact, and recycled content is not automatically recyclable. Here is what each material in this range actually does well — and where it costs something.

Organic cotton

Grown without synthetic pesticides. Softens with washing, wrinkles honestly, and takes a repair well. It is still a thirsty crop — which is why we make fewer, heavier pieces rather than many thin ones.

Linen and linen blends

Flax needs little irrigation and the fibre breathes better than anything else in a Bengaluru April. It creases within an hour of wearing it. We think that reads as fabric, not as failure.

Bamboo viscose

Closed-loop processing recovers and reuses the solvents. The result drapes like silk and handles humidity well. Conventional viscose does not do this — the process matters more than the plant.

Recycled polyester

Reclaimed bottle stock, used only where a synthetic genuinely outperforms: rain shells and windbreakers. It sheds microfibres. Wash it in a filter bag, and wash it rarely.

Read the full material notes

Straight answers

What we don’t claim

Most of what makes a fashion brand sound responsible is unverifiable. Rather than dress this range in language we can’t defend, here is the boundary we hold ourselves to — and it applies to this website too.

No impact numbers

You will not find litres of water saved or kilograms of carbon avoided anywhere on this site. We have not commissioned a life-cycle assessment, so any figure we printed would be decoration.

No certification badges we don't hold

Certification claims need a certificate number, an issuing body and an expiry date behind them. Where we describe a fibre as organic, that describes the fibre we buy — not a licence we are displaying.

No invented reviews or customer stories

This storefront is a prototype and has no order history, so there are no ratings to show. When real customers have worn these clothes for a real season, we'll publish what they say — including the parts we don't enjoy reading.

No urgency theatre

No countdown timers, no 'twelve people are viewing this', no permanently expiring sale. If a size is out, the page will say it is out.

A generated scene of a woman mending a worn cotton garment at a repair bench, with thread, scissors and a thimble
Editorial concept Generated image. The person shown is fictional and is not one of our menders — no photograph of the studio bench has been published yet.

The loop

Buy it once, then keep it going

The most useful thing a clothing brand can do is make the garment you already own last another two years. Every piece in this range is cut with seam allowance deep enough to alter, and we would rather mend one than sell you its replacement.

  1. 01

    Wash less, wash cooler

    Cold water, gentle cycle, shade drying. Most garments are washed two or three times more often than they need to be, and that is where the fading and the pilling come from.

  2. 02

    Bring it in when it goes

    Seams, buttons, zips, small tears and hems, repaired at the Indiranagar studio. Bring the garment in or post it — we’ll tell you honestly if it is not worth mending.

  3. 03

    Hand it back at the end

    When a piece is genuinely finished, our take-back route sends it to second life or to textile recycling rather than to a landfill by way of your cupboard.

A generated studio scene — swatch walls, a work table of fabric samples and open sketchbooks in daylight

Editorial concept Generated image · the people shown are fictional and are not our founder or staff

Indiranagar, Bengaluru

Come and try things on

Online, everything is a guess about drape and weight. In the studio you can feel the difference between 140 and 200 GSM, see how the linen creases in real light, and get a hem pinned while you wait. Since this storefront is a prototype, the studio is also the only place a real purchase happens today.

Phone
+91-8383898958
Email
hello@verdantloom.com
Mon–Sat
10:00 AM – 8:00 PM